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Outside
Outside: Activating Cloth to Enhance the Way We Live explores cloths value, relevance and impact on societies today, recognising the constantly evolving fields of expression, often sited beyond art mediated contexts. The book explores cloths potential as a metaphor for consciousness, a carrier of narrative, and a catalyst for community empathy and cohesion. Invited curators, philosophers, artists and scholars employ a variety of didactic styles that include the conversational, metaphoric,.
eBook
Byzantine silk on the Silk Roads : journeys between East and West, past and present
\"An illustrated exploration of Byzantine culture, its past history and its relevance to design today, looking at the style and influence of woven silk textiles\"-- Provided by publisher.
Book
Textiles in Indian Ocean Societies
Textiles in Indian Ocean Societies considers the importance of trade, and the transformation of the meaning of objects has the move between different cultures. It also addresses issues of gender, ethnic and religious identity, and economic status. The book covers a broad geographic range from East Africa to Southeast Asia, and references a number of disciplines such as anthropology, art history and history.This volume is timely, as both the social sciences and historical studies have developed a new interest in material culture. Edited by a foremost expert in the region, it will add considerably to our understanding of historical and current societies in the Indian Ocean region.
eBook
The story of colour in textiles : imperial purple to denim blue
\"Colour and shade of dyed textiles were once as much an indicator of social class or position as the fabric itself and for centuries the recipes used by dyers were closely guarded secrets. The arrival of synthetic dyestuffs in the middle of the nineteenth century opened up a whole rainbow of options and within 50 years modern dyes had completely overturned the dyeing industry. From pre-history to the current day, the story of dyed textiles in Western Europe brings together the worlds of politics, money, the church, law, taxation, international trade and exploration, fashion, serendipity and science.\"-- Back cover
Book
African Lace-Bark in the Caribbean
This study focuses on the making of African bark-cloth in the Caribbean and the use of plant fibers and pigments in the production and care of clothing for members of the colonized population. The material artifact of interest in this study is lace-bark, a form of bark-cloth, obtained from the bark of the lagetto tree found only in Jamaica, Cuba and Haiti. The fibres of the lagetto bark were removed by hand and dried, and the end result resembled fine lace or linen that was used by enslaved and freed women in Jamaica to make clothing as well as a substitute for manufactured lace. Although lace-bark is derived from the bark of a tree, it is different from other forms of bark-cloth. For instance, unlike most bark-cloth, the bark of the lagetto tree was not beaten into malleable cloth. The scientific name for the lace-bark tree is Lagetta lagetto; however, common names and spelling vary across regions. The author argues that a vibrant cottage industry based on African bark-cloth and lace-bark developed in Jamaica in response to economic conditions, and the insufficient clothing enslaved Africans received from their enslavers. Women dominated this industry and it fostered a creative space that allowed them to be expressive in their dress and simultaneously to escape, at least temporarily, the harsh realities of the plantation. The subjects of this study are women of African ancestry living in Jamaica from the seventeenth to the early twentieth century. By the late seventeenth century, a bark industry had developed in Jamaica that was responsible for producing exquisite bark material that was widely popular. The laghetto tree was known in Cuba as the Daguilla, and in Haiti as bois dentelle.
eBook
Fabricating power with Balinese textiles
Anthropologists Margaret Mead and Gregory Bateson were pioneers in using visual anthropological techniques to study the aesthetics of bodily motion in Bali. What is less well known is that they also collected textiles, paintings, puppets, and carvings, most of which are collected at the American Museum of Natural History in New York. This book and its accompanying exhibit explore the Mead-Bateson textiles as forms of power.
Book
Global Textile Encounters
The point of departure here is three significant textiles and clothing cultures: China, India and Europe, and the common thread is how fashions and traditions have travelled through space and time. In this richly illustrated anthology, with its 242 images, written both by textile researchers and practitioners as well as scholars from other fields across the globe, we hear of various types of encounters that bring to life a world of interactions and consequences as colourful as the textiles themselves. Among the 33 contributions we learn of an historian of ancient Roman textiles who has an intellectual epiphany in the streets of modern Iran; of 17th-century European Jesuits spreading the Gospel in Asia who attire themselves in the clothing suitable to their host countries; a visiting Siamese delegation that unwittingly creates fashion in 18th-century France;; how Chinese textile technology changed as a result of encountering textile patterns along the silk road; how political messages are conveyed in the sari; how Maharajahs inspired global pop culture; and the value we ascribe to old clothing. Recurrent themes include how religious praxis is informed by textile encounters; how travelling textiles enable patterns and symbols to be copied onto stone and metals; and textile motifs that acquire other symbolic meanings in their travels and encounters with different societies. This sensibly priced, highly readable, paperback, edited by three eminent textile scholars from Europe, China and India, is aimed at the interested general public and students. A Chinese version will be published by Donghua University Press in China.
eBook
Weben und Gewebe in der Antike: Materialitat - Reprasentation - Episteme - Metapoetik = Texts and textiles in the ancient world : materiality - representation - episteme - metapoetics
Questioning the legitimacy and limits of frequently employed analogies between writing and weaving, this volume presents 11 papers which focus on the process of textile manufacture, the weaving process itself and the materiality of fabric. The contributors adddress the problematic issues of cognitive archaeology, consumer research, literary theory and themes addressing both philosophical history and the history of reception of ideas and practice, in an effort both to close the critical gaps with respect to weaving and identify new themes.
eBook